20 Comments
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A pleasure

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Love this! I remember you mentioning this practice in How to Write an Autobiographical Novel and being intrigued.

For short readings for myself when I feel stuck in just my life, I like to draw one card for what *I think* an issue is “about” and then draw another card for what an issue is “really about.” Feels usable for something smaller for a character, too.

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Jun 15Liked by Alexander Chee

really resonate with the tarot cards revealing blindspots—they’ve brought so much to the surface for me. thank you so much for answering this question!! ❤️

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Jun 17Liked by Alexander Chee

Just stumbled on your newsletter and really love this first post I've read. What a great idea for fiction & nonfiction. Thanks for sharing.

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author

Thanks Anne, welcome to the site, I hope you’ll read more.

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Jun 17Liked by Alexander Chee

I definitely will. Looking forward to taking a deeper dive soon.

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Jun 17Liked by Alexander Chee

Same!

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Genius idea! This is the only plotting advice that has ever made any sense to me. The cards take it out of my head; I don't have to believe I can plot to do this. Thank you.

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author

Thanks Lucy, that was the idea. I think people get hung up on plots and this is a way to see it all differently.

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Jun 17Liked by Alexander Chee

I agree with this! It also feels like the story kind of writes itself this way.

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I often use two decks, an oracle deck and one abstract art one whose name and designer I can never remember, as writing prompts. Having stalled and sputtered quite frustratingly with my memoir as of late, I asked whoever-whatever-wherever-however is in charge of what cards come flipping out or sliding out the deck when I pull them for one card, one image to help me. I felt almost desperate at the request. This is the card I got.

I keep it on my writing desk.

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Jun 18Liked by Alexander Chee

I loved reading this. I have heard that Lucia Berlin also used tarot cards and have always been curious about it.

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author

Thank you for reminding me to read those stories

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Funny for me to stumble onto this tonight, as I just pulled cards to give me insight into characters in my work in progress (which I've been stalled on, for lack of plot). I didn't do a traditional reading, I just asked the cards two questions about three different characters: What do I need to know about this character that I don't already know? Where are they headed? I haven't done a Celtic Cross reading in years. Might have to throw one down now! I love your questions.

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author

This was definitely one of those posts where I thought this one will find those who need it. Thanks so much Linda!

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Thank YOU! It’s always nice to see other people accessing the creative process in some of the same weird ways that I do. It can make the lonely job of writing a little less lonely. Also, it makes me feel a little less weird. But only a little!

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Jun 15Liked by Alexander Chee

Thank you so much for this! It’s shifting my ideas about the Celtic cross spread. I always skip the “outcomes” card in the Celtic cross because it feels too fortune-telling-y. But I love what it can do for creative writing generation — for fictional or past selves whose futures you can actually know.

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author

Thank you, that makes me happy to hear.

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This is an intriguing set of questions and framing, Alexander. Thank you! I'm saving it for future book writing and journaling prompts.

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Oh wow, I didn’t know anyone else thought about the tarot this way! I’ve also been using the major arcana as a replacement for the typical story structure. My character begins as The Fool and walks through each card as if it were a stage in their life/the story.

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